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The philosophy of Movement in Architecture

19 November 2007CE | 09 Dhul-Qadah 1428AH

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Excerpts from Khalid Alqasimi’s introduction to his collection of photographs.

Architecture has intrigued me throughout my life. Initially I was attracted to its aesthetic quality but since becoming a student of architecture I have begun to look at my surroundings from an academic point of view; focusing on the intellectual and social issues that are intrinsic to this most functional to all art forms.

Architect should reflect its surroundings. Sometimes its shape is molded by necessity; by living conditions; by location - and, ultimately, by the needs of people. It need not be even permanent. There is no finer example than the Arabian tent whose compact structure was borne out of nomadic lifestyle.

In stark contrast, Architecture today can also seem to subvert nature - to stand in apparent defiance of its natural surroundings. Thus architecture becomes inextricably embroiled in matters of politics, of environment and other important issues of our age.

My interest in photography began at an even earlier age. For as long as I can remember, I have framed my life through the lens of a camera. Wherever I went - be it a trip to the Far East or the local market - my camera went with me. From the modest snapshots to extremely detailed studies, the camera has always been my constant companion, an instrument that allowed me to see the world in a way I could not have without it.

“Movement” is a personal chronicle of my recent travels to Iran, Armenia and other countries. This exhibition consists of both color and black and white photographs of what I found to be the most fascinating of buildings: markets, palaces, mosques, churches and memorials. Part of my interest in travel and photography relates to the notion of opposites and similarities - be they structural or cross-cultural. This is what I have attempted to capture.

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Tags: Life, philosophy, Politics, time, travel

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